New From Known - Linking Ideas to Generate Original Floral Designs
A Three Day In-Person Floral Design Workshop with Gregor Lersch
Uncover new styles and innovations by connecting and exploring various combinations of floral design concepts.
Saturday 15 - Monday 17 August 2026, Bankstown, Sydney, Australia
This workshop explores Gregor Lersch’s framework of Linking: the deliberate connection of established styles, Design Categories and techniques to generate original design outcomes -- in doing so you'll deepen your understanding of foundational principles -integrating existing knowledge with fresh perspectives, new pathways and emerging possibilities.
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Day One: Structured vs. Held
Reimagining the Arrangement and the Hand-tied
An ‘arrangement’ and a ‘hand-tied bouquet’ are frequently seen as individual categories in floral design.
Looking for ways to connect their foundational qualities will stretch the boundaries of both and produce exciting new design leads – perhaps that are hard to label, yet which offer excitement and inspiration for further exploration.
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Day Two: Organic vs. Absolute
Connecting Australian Botanicals and Geometry
Often sculptural and rich with texture, indigenous Australian botanicals also commonly share organic, wistful or irregular growth patterns.
Circles, squares and many triangular shapes all share symmetry, central axes and closed silhouettes.
Connecting the two concepts demands respect for the qualities of each, while finding a way to bring a new identity to their combination.
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Day Three: Linking Basket vs. Abstraction
Linking Tradition and Abstraction
Baskets - used to collect, contain and present flowers throughout time, often bountifully. Abstraction uses design elements to express an idea or feeling, without representing something familiar.
Connecting these two sources of inspiration and creativity is sure to reap surprising results and propel us into thinking about what a basket is or can be, and how adopting principles of abstraction might transform our works.
Find your own unique design voice, combine singular concepts and originate new and forward thinking hybrid floral styles.
Gregor Lersch is one of the most influential contemporary floral designers in the world. A German Master Florist, educator, and author, he is best known for developing a clear theoretical framework for modern floral design — especially his work around design categories and linking theory.
Linking, one of Gregor Lersch's most important contributions to the field, is about the ability to consciously connect two different floral categories, understand design categories independently and to create designs which transcend both concepts to a new entity, rather than blending styles.
In Gregor's framework of Grading, categories dissolve into each other. In Linking, however, each idea remains readable, and new possibilities emerge.
sGregor's Linking theory provides a new vocabulary, framework and design discipline for creating innovative new concepts with clarity.
Program Information
New from Known Workshop Guide - Connections '26
VenueThe Bankstown Sports Club is located in the Bankstown CBD. Entry to the club is at: 6 Mona Street, Bankstown The workshop will be held in the Boggabilla Room, on Level 1 of the club. |
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HotelEntry to the Mercure Sydney Bankstown Hotel is also at 6 Mona Street, adjacent to the club entry. |
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Transport and ParkingBankstown Sports Club is located two minutes walk from Bankstown Railway Station, and about half an hour by taxi from Sydney Airport. There is free parking onsite for all workshop attendees. The entrance to the carpark is on Mona Street. |
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AccommodationThe venue is located next to the Mercure Sydney Bankstown. Rooms at the Mercure can be booked directly through the hotel via all.accor.com/hotel/B975/index.en.shtml. There is also a range of other accommodation options in the area on sites including booking.com, stayz.com.au and airbnb.com.au. We recommend finalising accommodation plans early. |
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CateringMorning tea, lunch and afternoon tea each day are included in the registration fee. We will ask you to identify any dietary requirements shortly after taking your booking. For breakfast and dinner options, there are many cafes and restaurants within a short walk of the venue, as well as twelve restaurants within the venue itself. There is also a supermarket nearby where you can obtain provisions. |
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What's IncludedWe will provide everything that you will need for your designs during this three day workshop:
Also included are welcome tea & coffee each morning before the workshop, morning and afternoon tea, and lunch each day. The designs you create are yours to take home. |
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What to BringJust bring your essential floristry hand tools such as scissors, snips, secateurs, knives and pliers. |
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Workshop Timetable
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Mark Pampling, our event host and organiser, has been designing, competing, teaching and judging for three decades and is known for his detailed yet clear, linear style as well as his patient and inclusive way of sharing his knowledge.
Find new, innovative ideas in floral design by connecting design styles, schemes and techniques through Gregor Lersch’s latest theoretical framework – Linking.
Grow your understanding of floral design by connecting your current knowledge with deeper insights, fresh pathways and potential new directions.
Examine the various components of the creative process and their interrelationships – refining your own approach to design and creativity and take them to the next level.
Connect with like minds from all parts of the flower world – floral friends old and new.
Saturday 15 - Monday 17 August 2026, Bankstown, Sydney, Australia
(This is an in-person event only with no option to participate online.)
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Let customers speak for us
from 80 reviewsThe intriguing theme,"Uncommon threads", captured my attention and thinking. I initially thought this short course,"Designing to win", would be too challenging. I found that it was actually comprehensive, well organized and structured, and rewarding eventually. This course was about understanding the rules and schedule of a competition. It was about learning how to evaluate one's design for a competition against an essential list of marking criteria for judging. Mark conducted two virtual discussion forums fluently, meticulously and constructively by giving clear analysis with concise explanations. He posed questions and made suggestions on each participant's design in #1 submission. The task of improving/adjusting/changing in order to achieve a better outcome became the necessary challenge for #2 submission.
The learnings from all the other submissions was just as important as those of mine. After having completed this course, I gained a better understanding of the entire process of designing to win and the crucial decision making that hinged on the points/marks for judging. The "wow factor" which can contribute to winning can be achieved by more critical evaluation of a design. Learning to be a better designer is always my aim in participating in Mark's courses. I truly felt that I achieved it and it was a likely "win" for me. The instructional eBooks and video tutorials on competitions were valuable bonuses given after completion of the course.
Thank you, Mark, for this great opportunity to learn from you.
One Container, Five Elements expanded my design processes and choices. Analysing the container and looking for a link to each of the five elements. Focusing on one element was a disciplined journey, one that became more complex the further I travelled along the path, albeit a rewarding journey. On reflection it allowed me to consider my choices and to give each element of design a voice in my arrangements. I likened it to a choir where one voice may lead but if the supporting harmonies are not in pitch the whole auditory experience is not quite right. I found myself falling to my favourite elements and constantly self-evaluating to see what was often needed, often editing rather than adding. During the group feedback sessions, I gained new eyes not only on my own work but that of my peers. Such a rewarding experience.
Each task or assignment for this course pushes you to think more about placement of components in order to ensure that the elements and principles of design are used to create a harmonious result. Mark encourages creativity by providing examples before leaving you to work in your own way, this is incredibly stimulating. All feedback provided is done in a positive way which encourages you to assess your own work better each time - however I still manage to repeat some of the same faults over and again ;) so plenty more to learn.
I really enjoyed the course and particularly found the critique process really helpful, as Mark carefully explained what worked well with the designs we had each produced and how they could potentially be improved further. At each stage, Mark explained how the design principles applied and helped me to develop my understanding of contemporary work.
Yet another amazing floral learning opportunity by our incredible Mark Pampling and Flower Thinking. The experience of learning is outstanding with endless learning opportunities. This is not simply an online course, it is an interactive extremely detailed, deep learning opportunity. Thank you Flower Thinking - My designs from the course are pictured below. So much learning and adaptation creates a new awareness and thought process in design which I truly enjoyed.
Festive Thinking allowed me to expand my creativity. Mark’s ebooks and video explanations were clear and provided examples of the task. I throughly enjoyed creating with the sickles and the online forum. Mark expert advice and suggestions gives insights into the designer’s arrangements. This allows for self improvement and reflection on my own creation. A wonderful experience I look forward to the next Flower Thinking offering.