Sources and Systems - Inside the Creative Process
A One Day Floral Design Symposium Examining the Inner Workings of the Creative Process
Where do ideas come from?
Through theory, demonstration and dialog, Gregor reveals the inner process and structure of creativity - expanding on his design schema, demonstrating the journey from inspiration to resolved design, and analysing visual balance in real time.
A day to bridge design principles with the creative process and and elevate your design thinking.
Friday 14 August 2026, Bankstown, Sydney, Australia
- Understand where creative ideas originate and how to access them intentionally.
- Apply structured tools to generate and develop design concepts.
- Integrate Gregor’s creative framework into your own design process.
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Session One - Where Ideas Begin
- Explore creativity as a structured, learnable process rather than an instinctual one.
- Gain clarity on the different origins of ideas and how they interconnect, as well as tools for consciously generating, analysing and strengthening original design concepts.
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Session Two - Theory into Practice
- Observe theory translated into live practice as Gregor creates several designs from unprepared materials, each piece beginning from a different source of inspiration, demonstrating how ideas evolve into resolved compositions.
- Witness decision-making, structural development and refinement in real time.
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Session Three - Visual Balance
- Examine visual balance as a universal and foundational principle.
- Through demonstration and analysis, Gregor unpacks symmetry, asymmetry, axis placement, visual weight and proportion.
- Gain clarity on how structure and distribution create stability, tension and coherence within contemporary compositions.
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Session Four - Design Conversation
- The day concludes with an interactive conversation, inviting questions on creativity, theory, contemporary trends and professional practice.
- This open forum provides direct access to Gregor’s international experience, offering clarification, deeper insight and thoughtful discussion to consolidate learning from the day's sessions.
- See how to analyse and achieve visual balance using symmetry, asymmetry and axes.
- Acquire perspective and vocabulary to confidently explain your design decisions.
- Gain a new understanding of design as a disciplined and repeatable creative process.
Central to Gregor Lersch's teachings is the idea that creativity is not accidental, but systematic.
In his influential book Sources of Creativity – Ways to Inspirations, for example, Lersch identifies distinct origins of creative ideas and demonstrates how understanding their interrelationships enables designers to work more consciously and effectively.
Gain direct insight into Gregor Lersch’s methodical approach to creativity, uncovering how ideas are consciously generated, structured and brought to resolution in floral design. Through thoughtful explanation and live demonstration, complex theory becomes accessible, practical and immediately relevant.
This is not simply a day of inspiration, but of understanding. You will sharpen your creative judgement, deepen your grasp of visual balance, and gain structured tools that make your design process clearer, more confident and consistently professional.
Program Information
Sources and Systems Symposium - Guide - Connections '26
VenueThe Bankstown Sports Club is located in the Bankstown CBD. Entry to the club is at: 6 Mona Street, Bankstown The Seminar will be held in the Boggabilla Room, on Level 1 of the club. |
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HotelIf you are staying at the Mercure Sydney Bankstown Hotel, the entrance is also at 6 Mona Street, adjacent to the club entry. |
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Transport and ParkingBankstown Sports Club is located two minutes walk from Bankstown Railway Station, and about half an hour by taxi from Sydney Airport. There is free parking onsite for all Seminar attendees. The entrance to the carpark is on Mona Street. |
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AccommodationThe venue is located next to the Mercure Sydney Bankstown. Rooms at the Mercure can be booked directly through the hotel via all.accor.com/hotel/B975/index.en.shtml. There is also a range of other accommodation options in the area on sites including booking.com, stayz.com.au and airbnb.com.au. We recommend finalising accommodation plans soon. |
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CateringMorning tea, lunch and afternoon tea on the day are included in the registration fee. We will ask you to identify any dietary requirements shortly after taking your booking. For breakfast and dinner options, there are many cafes and restaurants within a short walk of the venue, as well as twelve restaurants within the venue itself. |
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Seminar Timetable
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InclusionsWelcome refreshments, lunch, morning tea and afternoon tea will be provided. A digital certificate of participation will be provided to each attendee. |
Mark Pampling, our event host and organiser, has been designing, competing, teaching and judging for three decades and is known for his detailed yet clear, linear style as well as his patient and inclusive way of sharing his knowledge.
Gain insight into Gregor Lersch’s structured approach to creativity in floral design. Unpack Gregor's design process and theoretical framework and see how ideas are generated, developed and resolved into coherent design.
A focused and intellectually rigorous day designed to strengthen understanding, refine creative thinking and elevate professional practice.
Friday 14 August 2026, Bankstown, Sydney, Australia
(This is an in-person event only with no option to participate online.)
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from 80 reviewsThe intriguing theme,"Uncommon threads", captured my attention and thinking. I initially thought this short course,"Designing to win", would be too challenging. I found that it was actually comprehensive, well organized and structured, and rewarding eventually. This course was about understanding the rules and schedule of a competition. It was about learning how to evaluate one's design for a competition against an essential list of marking criteria for judging. Mark conducted two virtual discussion forums fluently, meticulously and constructively by giving clear analysis with concise explanations. He posed questions and made suggestions on each participant's design in #1 submission. The task of improving/adjusting/changing in order to achieve a better outcome became the necessary challenge for #2 submission.
The learnings from all the other submissions was just as important as those of mine. After having completed this course, I gained a better understanding of the entire process of designing to win and the crucial decision making that hinged on the points/marks for judging. The "wow factor" which can contribute to winning can be achieved by more critical evaluation of a design. Learning to be a better designer is always my aim in participating in Mark's courses. I truly felt that I achieved it and it was a likely "win" for me. The instructional eBooks and video tutorials on competitions were valuable bonuses given after completion of the course.
Thank you, Mark, for this great opportunity to learn from you.
One Container, Five Elements expanded my design processes and choices. Analysing the container and looking for a link to each of the five elements. Focusing on one element was a disciplined journey, one that became more complex the further I travelled along the path, albeit a rewarding journey. On reflection it allowed me to consider my choices and to give each element of design a voice in my arrangements. I likened it to a choir where one voice may lead but if the supporting harmonies are not in pitch the whole auditory experience is not quite right. I found myself falling to my favourite elements and constantly self-evaluating to see what was often needed, often editing rather than adding. During the group feedback sessions, I gained new eyes not only on my own work but that of my peers. Such a rewarding experience.
Each task or assignment for this course pushes you to think more about placement of components in order to ensure that the elements and principles of design are used to create a harmonious result. Mark encourages creativity by providing examples before leaving you to work in your own way, this is incredibly stimulating. All feedback provided is done in a positive way which encourages you to assess your own work better each time - however I still manage to repeat some of the same faults over and again ;) so plenty more to learn.
I really enjoyed the course and particularly found the critique process really helpful, as Mark carefully explained what worked well with the designs we had each produced and how they could potentially be improved further. At each stage, Mark explained how the design principles applied and helped me to develop my understanding of contemporary work.
Yet another amazing floral learning opportunity by our incredible Mark Pampling and Flower Thinking. The experience of learning is outstanding with endless learning opportunities. This is not simply an online course, it is an interactive extremely detailed, deep learning opportunity. Thank you Flower Thinking - My designs from the course are pictured below. So much learning and adaptation creates a new awareness and thought process in design which I truly enjoyed.
Festive Thinking allowed me to expand my creativity. Mark’s ebooks and video explanations were clear and provided examples of the task. I throughly enjoyed creating with the sickles and the online forum. Mark expert advice and suggestions gives insights into the designer’s arrangements. This allows for self improvement and reflection on my own creation. A wonderful experience I look forward to the next Flower Thinking offering.