Design of the Month Gallery - 2025
December 2025
Exploring blue in a horizontal design
Delphinium, Allium, Craspedia, Eryngium, Agave, Kalanchoe, Hydrangea
Design – David Berger
Photography – David Berger
November 2025
Asymmetrical body decoration of exotic Orchids and trailing Amaranthus
Amaranthus, Phalaenopsis, Sticherus, Bulbophylum
Design – Duc Thuan Bui
Photography – Duc Thuan Bui
October 2025
A classically inspired arrangement with a formal-linear approach to presenting the core materials
Protea cynaroides, Echeveria, Cortaderia selloana, Strelitzia, Bromeliad, Rosa
Design – Jill Hoskin
Photography – Jill Hoskin
September 2025
A structured arrangement of orchids, anthuriums and driftwood, inspired by the rippled form of the vase
Phalaenopsis, Cymbidium, Anthurium, Papaver, Astilbe, Phylica
Design – Stefanie Smrk-Dansey
Photography – Stefanie Smrk-Dansey
August 2025
Unified design spanning twin containers
King Protea, Macrocarpa Gum stems, Cymbidium Orchids
Design – Bart Hassam
Photography – Mark Pampling
July 2025
Layered composition with rows of miniature Billy Buttons and one focal Poppy
Craspedia/Pycnosorus globosus, Papaver
Design - Mark Pampling
Photography – Mark Pampling
June 2025
Version of a Rosemelia made with paper, trimmed with a garland of orchids and berries
Rose fruit, Cymbidium, Phalaenopsis, Euphorbia spinosa, Xerophillum tenax, Ceropegia woodii, Crassula
Design - Alex Segura
Photography – Carles Jubany
May 2025
Bouquet on a structure of boards, branches and feet
Anemone, Ranunculus, Banksia plagiocarpa, Jasminum, Magnolia, Syngonium
Design - Frédéric Dupré
Photography - Mark Pampling
April 2025
Displacement design in grouped containers
Xanthorrhoea australis, Phalaenopsis, Alocasia amazonica, Bambusa, Muehlenbeckia
Design - Bart Hassam
Photography - Courtesy of American FLoral Art School Taipei
March 2025
Contemporary Hand Tied Bouquet
Built around a Lichen encrusted branch, this innovative approach to a hand tied bouquet is not only high in its aesthetic impact; it also employs sustainable materials and methods. It was created by Duc Thuan Bui for the International Master Florist program offered by The Boerma Instituut in The Netherlands.
Gloriosa, Eucomis, Bromelaid, Rhipsalis, Papyrus sp., Bambusa
Design - Duc Thuan Bui
Photography - Duc Thuan Bui
February 2025
Contemporary Bridal Design
A transparent base structure of Elegia stems is contrasted with a ribbon of compacted Elegia foliage, adding an immediate sense of depth and offering a distinctly textural impression. Kathryn took this contemporary approach to one of the tasks in Flower Thinking’s Design Solutions program.
Elegia capensis, Anthurium
Design - Kathryn Simmonds
Photography - Kathryn Simmonds
Featured Galleries
Develops more deliberate design habits by working with a constrained material palette and giving more attention to design principles.
A group of floral designers, artists and arrangers will respond to a competition-style schedule with the theme Uncommon Threads.
At Flower Thinking Connections '26, Gregor Lersch focused on the creative process, sources of creativity and his theory of Linking, a system for innovating new ideas.
An opportunity to experiment with visual balance and to push the boundaries of asymmetry by working away from the container.
A collection by Mark Pampling, characterised by refined, form-focused compositions defined by structural precision, advanced craftsmanship and linear artistry.
David has been engaged in every facet of the floral industry for over 30 years and has represented Australia in the Interflora World Cup on four occasions, gaining two Silver medals overall as wellas five Gold medals in individual sections. He is a highly sought after teacher and demonstrator.
A masterful approach to colour and texture results in designs with strong visual and emotional impact. This exhibition is a showcase of Frédéric’s approach across a range of design forms and styles.
Keenly balanced linear movement, bold forms and groupings, and striking proportions draw the eye with both strength and subtlety. Sophisticated craftsmanship supports the botanicals and allow them to speak with purpose and clarity.
Explorations into the unity of floral concepts, inspired by the works of the masters. Each work is an attempt to bring together elements from different categories within the design scheme in the pursuit of a harmonious design aesthetic.
Gregor thoughtfully interprets three overarching concepts: displaced focal areas, sustainability and personal style.
A cohort of floral designers, floral artists, flower arrangers and florists respond to a competition-style schedule with the theme Glass & Grass.
A celebration of the natural world through graceful, flowing lines with dynamic, rhythmic qualities. Irene’s profound respect for plant materials is exemplified by the meticulous workmanship, technique and attention to detail of this collection.
Sketching is a versatile tool for communicating your ideas and thoughts to other designers, clients and collaborators.
Structural botanical design is Keith Stanley's passion. In addition to creating large scale displays and conducting demonstrations and workshops, Keith is also an International Master Florist and a certified teacher of the Sogetsu School of Ikebana.
Annita's work is characterised by bold structures balanced with careful placements. Twice champion of the Interflora Australia Cup competitions. In addition to running a successful retail florist, she is well regarded as a teacher and demonstrator of floral design.
Explores different ways of directing proportions, using the unique constraints of each design style as a starting point.
A cohort of floral designers, floral artists, flower arrangers and florists interpret the themes Christmas Crescent and Layered Luxury.
Floral designers, artists, flower arrangers and florists create festive designs inspired by the ebooks Christmas Crescent and Layered Luxury.